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Read more More focus series Roskilde Festival 2013 [AWA] Art Weekend Aarhus NY legacy of Fluxus Copenhagen Art Festival 2012 Roskilde Festival 2012 Week columnist Art, collectivity and network VISION Wide Week Artist Art Copenhagen 2011 Roskilde Festival 2011 Behind the lines of art and public space A New Nordic position? ART Herning 2011 Between Art and Design Performative arts PORT 2010 Art Fair Special 2010 Roskilde Festival 2010 Art's value? Art Herning Can art communicate? Climate in art RATE Art Fair Special Roskilde Festival 09 KUNSTEN.NU. Guides for summer art experiences Artist in fact in the workshop Danish Arts Foundation U-TURN Alt_Cph applique market 2008 Exhibition galleries for experiments Political Art Cuisine Art Machine-RAUM Street Art / Graffiti
The phrase "I applique market was in Paris over the weekend and saw the Louvre" does not make sense. You can not see the Louvre. The Louvre applique market is in addition to its more than 35,000 exhibits applique market effects one of the world's largest art museums. applique market Add to that what holds in the archived part of the museum's collection. No one has ever seen anything.
A quick mental calculation of the assembly in SMK (National Gallery), shows that it would take more than one year and one month without a single second's pause, if one were to use just two minutes on each work of art in the collection. No one has ever seen everything, no one will ever come to seeing everything.
From the surface applique market to the importance You could argue that a work of art takes time, so a pictorial work typically requires at least two hours of this experience for all to make sense. Conversely, one could argue that an accurate and successful work of art can be seen in twenty seconds.
I can read, for example, applique market Andy Warhol's Brillo Box of 1964 of approximately two seconds, but I would have to spend approximately two weeks to ponder what it is that this Brillo Box talks about the work of art. Similarly, with a work that I have hanging. It does not take more than two seconds to read the image superficial, but I have now for over two years gone and looked at this work of art, which I'm still not quite sure what does. I just feel that it does, and this attitude towards and what that means is rewarding. Moreover, it is pretty. I appreciate that it hangs in my home. Yes, I could feel like that this particular art work was amplified so that it could hang in any home.
Reproductions and reflexes Already applique market in 1935 wrote the German Walter Benjamin text Das Kunstwerk im Zeitalter seinem technischen Reproducierbarkeit where he talks about visual art of photography and film appearance, losing aura because an image reproduction loses its otherwise natural innate cult status (opposite can talk about it generous of reproduction because reproduction allows many people to many times and in many places you can find a single work of art). Some artworks should undeniably be experienced live.
The art of painting in particular, and it was also primarily painting and traditional sculpture, as Benjamin appealed about. He could then hardly applique market imagine the time we live in now, where we are with phones taking pictures and via satellite applique market signals flux can send images in a globally accessible cloud. Soon you can get not just a 2D printer but also a 3D printer for household use.
It is not only about the amount and possibility, but also about speed. Since 1960, the French dromolog Paul Virilio described how modern technology speeds up the way we read and how we move in the world. The speed and informationsmassiviteten can be so voluminous that reflection is replaced by reflex. Virilio and in particular on the military but also political and urban. He is the relevance, applique market if one wants to understand the iconoclasm, we find ourselves in and grow with.
We could erase our individual hard drives and burn our collective art museums (like the Italian Futurists spoke until they lived through World War I, after all surpassed their imagination) ... and let civilization rise like a phoenix from the ashes. It would be specious, clean out and start with a blank canvas, tabula rasa, where we pure consciousness again see the world
Read more More focus series Roskilde Festival 2013 [AWA] Art Weekend Aarhus NY legacy of Fluxus Copenhagen Art Festival 2012 Roskilde Festival 2012 Week columnist Art, collectivity and network VISION Wide Week Artist Art Copenhagen 2011 Roskilde Festival 2011 Behind the lines of art and public space A New Nordic position? ART Herning 2011 Between Art and Design Performative arts PORT 2010 Art Fair Special 2010 Roskilde Festival 2010 Art's value? Art Herning Can art communicate? Climate in art RATE Art Fair Special Roskilde Festival 09 KUNSTEN.NU. Guides for summer art experiences Artist in fact in the workshop Danish Arts Foundation U-TURN Alt_Cph applique market 2008 Exhibition galleries for experiments Political Art Cuisine Art Machine-RAUM Street Art / Graffiti
The phrase "I applique market was in Paris over the weekend and saw the Louvre" does not make sense. You can not see the Louvre. The Louvre applique market is in addition to its more than 35,000 exhibits applique market effects one of the world's largest art museums. applique market Add to that what holds in the archived part of the museum's collection. No one has ever seen anything.
A quick mental calculation of the assembly in SMK (National Gallery), shows that it would take more than one year and one month without a single second's pause, if one were to use just two minutes on each work of art in the collection. No one has ever seen everything, no one will ever come to seeing everything.
From the surface applique market to the importance You could argue that a work of art takes time, so a pictorial work typically requires at least two hours of this experience for all to make sense. Conversely, one could argue that an accurate and successful work of art can be seen in twenty seconds.
I can read, for example, applique market Andy Warhol's Brillo Box of 1964 of approximately two seconds, but I would have to spend approximately two weeks to ponder what it is that this Brillo Box talks about the work of art. Similarly, with a work that I have hanging. It does not take more than two seconds to read the image superficial, but I have now for over two years gone and looked at this work of art, which I'm still not quite sure what does. I just feel that it does, and this attitude towards and what that means is rewarding. Moreover, it is pretty. I appreciate that it hangs in my home. Yes, I could feel like that this particular art work was amplified so that it could hang in any home.
Reproductions and reflexes Already applique market in 1935 wrote the German Walter Benjamin text Das Kunstwerk im Zeitalter seinem technischen Reproducierbarkeit where he talks about visual art of photography and film appearance, losing aura because an image reproduction loses its otherwise natural innate cult status (opposite can talk about it generous of reproduction because reproduction allows many people to many times and in many places you can find a single work of art). Some artworks should undeniably be experienced live.
The art of painting in particular, and it was also primarily painting and traditional sculpture, as Benjamin appealed about. He could then hardly applique market imagine the time we live in now, where we are with phones taking pictures and via satellite applique market signals flux can send images in a globally accessible cloud. Soon you can get not just a 2D printer but also a 3D printer for household use.
It is not only about the amount and possibility, but also about speed. Since 1960, the French dromolog Paul Virilio described how modern technology speeds up the way we read and how we move in the world. The speed and informationsmassiviteten can be so voluminous that reflection is replaced by reflex. Virilio and in particular on the military but also political and urban. He is the relevance, applique market if one wants to understand the iconoclasm, we find ourselves in and grow with.
We could erase our individual hard drives and burn our collective art museums (like the Italian Futurists spoke until they lived through World War I, after all surpassed their imagination) ... and let civilization rise like a phoenix from the ashes. It would be specious, clean out and start with a blank canvas, tabula rasa, where we pure consciousness again see the world
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