- From Wednesday until Friday in the whole of Serbia will be cloudy with a time of abundant rainfal

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Before us is a five day a very cold and rainy weather, with a strong wind. The maximum led lights temperature of the day in Serbia will be well below average, and unless large amounts of rainfall, we can expect a strong wind.
- From Wednesday until Friday in the whole of Serbia will be cloudy with a time of abundant rainfall. On Wednesday and Thursday, rainfall will be more intense, and with them there is the moderate and strong north wind to the mountain regions, the north and the east of Serbia, to catch up with gale force or being taller than 17 meters per second - says Slobodan Sovilj, Forecaster RHMZ.
- Tomorrow morning before noon and will be mainly dry weather with occasional sunny intervals, but in the second part of the day is expected during changeable cloudy, with occasional rain, and thunderstorms. In the afternoon and evening led lights will be abundant rainfall with strong wind, but the conditions for the city - added Sovilj.
- On the higher mountains in the rain Wednesday, and Thursday are expected snow. It is a wet snow that will come to the formation of snow cover. Due to strong wind are expected snowstorm, led lights and in these areas can be a problem - says Sovilj.
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With meteorologist Nedeljko Todorović we talked about the weather conditions that await us in the coming period, and he tried to answer our question, white light when will we finally rejoice warmer with spring time.
- Higher temperatures Serbian citizens can hope after April 16, when we finally expect sunny and warmer weather, temperatures will range between 22 and 27 degrees Celsius per - says for "Blic" Todorovic.
In Serbia tomorrow in the eastern and southeastern regions to be mostly white light cloudy in the morning and before noon in places white light with poor rain, high mountains with snow, and in other regions is expected to slightly cloudy and dry weather.
On Monday will be mostly sunny and warmer. At the end of the day and at night in the northern, central, and on Tuesday in the other regions, it will turn cloudy with reinforced north western wind, temperature drop, with sporadic rain and showers.
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And what's wrong with this weather? Two days and a little cloudy right now is not good, and that we did not have winter and spring, which is still there in February to nothing. Not to mention the fact that due to lack of snow and rain in previous months the land is dry and will last summer because the price of food to be expensive when you are going to complain again. And probably there will be no water in the water supply and to see if you will, and then regret for "the white light nice time."
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The choice of colors on your wall can be a real adventure. This spring you can enter a real freshness in your home and so you'll start from the whitewash! If you are a fan nežnijih tones and your space is characterized by vintage pieces and eye-catching details, choose a shade of mint or greenish-gray. Oplemeniće your home and give him a dose of elegant style.
Lovers of pastel shades delight the fact that these trendy shades. Why your home would not be fashionable? We were completely arenavision captivated color between green and blue. Maybe you're not a fan of white, but that's what perhaps should your living space! Bela does not always act sterile and boring, making sure that your home decorate striking sets.
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In his well-known works include the

Projection works "Blue Spring" on June 26 at the Museum of Yugoslav Film Festival will open on June 26 modern Japanese cinema in Belgrade.
By June 30, the festival will present fujiya some of the most modern films of Japanese cinema. On Thursday, June 26, the opening ceremony of the festival and admission is free for other screenings ticket price is 200 dinars.
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Nobel laureate Gabriel Garcia Marquez has died at the age of 87 at his home in Mexico City. Markes, the writer of "One Hundred Years of Solitude", the most prevođenog and most read works in Spanish, was hospitalized on April 3, in Mexico City due to pneumonia, and his condition was improved after a few days and was released from the hospital. Garcia Marquez was one of the most popular writers and many of its popularity compared to Mark Twain and Charles Dickens. He was born on March 6, 1927., In the Colombian city of Arakataka, in the area of Magdalena. He was a Colombian writer, journalist, publisher and political activist. Profimedia.rs
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Asparagus light green have always been used to relieve the symptoms of PMS and in water retention.

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Soon we arrive spring, and our body needs to prepare for warm days. This is a great time for elimination of toxins that have accumulated during the winter. Foods that made the first sun rays are bright colors and abundant in nutrients that positively affect the liver, the main "cleaner" of the organism. Therefore, as soon as they occur, surged on asparagus, artichokes, young spinach and strawberries.
Asparagus are right with spring vegetables, and is usually harvested in the period from March to May, somewhere even until July. Fleshy stalks of asparagus are still regarded as a valuable vegetables, and valuable, both for its succulent taste and soft texture. Green chlorophyll owed, known as the "cleaner" of the liver and blood. The energy value of asparagus is very small, as this vegetable ranks high on the list of desirable foods for losing excess weight.
Asparagus are primarily rich in folic acid, which affects the normal tissue growth during pregnancy. It is also rich in vitamin C and potassium. High levels of potassium from the amino acid arginine and low levels of sodium makes asparagus natural diuretic.
Asparagus light green have always been used to relieve the symptoms of PMS and in water retention. They are rich in vitamin C, zinc and selenium, and thanks to their asparagus are unavoidable in a detoxification diet that is desirable to keep at the end of winter. Asparagus and eggs make a great combination and the most famous, light green but detoxification is recommended to place the asparagus in a salad or soup and add to soups. For a gourmet's paradise, it is recommended that you serve asparagus with seafood. light green
Artichoke is a vegetable that belongs to the herbaceous plants, and its medicinal properties have been known since ancient times. It is believed that the beneficial effect of artichoke on the body comes from the bitter substances in the leaves and roots, which have a special flavor and a good influence on bile.
Calorific light green value of artichokes is minimal, and the fat content and it is about a veritable treasure of vitamins, minerals and phytochemicals. As a friend of the liver, artichoke provides vitamin light green C and potassium, and almost all the other vitamins and minerals in smaller amounts. It has good fiber content, so 100 grams of artichoke gives even 5.4 grams of fiber. light green
Artichoke protects the liver. Inulin, light green digestible carbohydrates contained in this vegetable has a slightly laxative effect and helps with constipation. Liver health in connection with regular bowel movements, and periods of imprisonment greater burden on the liver. Artichokes can fit in almost all dishes, from soups to risottos over mashed potatoes, pizza, moussaka or meaty dishes.
To be more efficient detoxification is best boiled artichoke served as an appetizer with olive oil and a light cheese or fit into any of the salads. To create a gourmet light green delight spread of the artichoke so you will confuse them with tuna, olives, olive oil and lemon juice. Combined, add spices to taste and enjoy.
Spinach is available throughout the year, and spring is the perfect time to enjoy the vegetables, because young spinach, unlike ordinary, has a sweeter taste and less resilient. Rich in Vitamin K, which, among other things, a positive effect on bone.
Young spinach, like most spring light green fruits, valuable source of vitamin C and potassium. light green It should be noted the content of folic acid and iron. Those who recalls the Popeye's spinach strengthen your muscles are convinced that it is precisely the iron in spinach seemed strong. True, spinach contains significant amounts of iron, but also contains substances that hinder the absorption of iron.
Green owes chlorophyll, which is extremely light green important in detoxification, because traditionally considered "cleaner" of the liver and blood. An additional advantage is niskokaloričnost spinach, as in 100 grams has only about 25 calories.
Spinach can be eaten with pasta, sauces, pies or you experimenting at will. When it comes to detoxification, the recommendation is to enjoy the salad of young spinach which was added lemon juice. You can add many ingredients of goat's or cow's milk cheese, nuts, seeds and olive oil. Apple is especially recommended, because thanks light green pectin, fiber from apples, cleaning will be rounded up.
One cup of berries contains only 45 calories, but also meets the daily requirement for vitamin C. Strawberries are the fruits richest in vitamin C, which helps not only in detoxification, light green but also in overcoming spring fatigue. The same amount of strawberries and contains 210 milligrams of potassium, which

Recent comments Mladjan Dinkic electroscope on What is all Sigal advised grandfather Dragan Stefano

Vucic turns to spring | Njuz.net
BELGRADE, 21 June 2014 (njuz) - The government of Serbia has today unanimously adopted the proposal of the Prime Minister Aleksandar Vucic, which was dismissed from his duties spring, and instead set the summer, learned njuz.
- Spring has repeatedly shown that does not understand how serious the situation in which Serbia electroscope is - hard Vucic - All the good government electroscope we analyzed the effects of his work in the previous months and came to the conclusion that the spring showed malpractice and inefficiency which as a result had catastrophic floods in Serbia. In addition, a number of scandals that have plagued his term as he dropped electroscope kredibiltet in the eyes of the people and it was necessary to take concrete steps. We value all of these reasons I have brought the decision to sack the spring and summer bring his position for which I expect to fulfill all my expectations. This is personally my decision and I am ready to accept any kind of responsibility if the summer does not justify the government's expectations clear-premier.
- I just took office, so I can not provide more information on the situation in my portfolio. The support we've received from the prime means a lot to me and I will try to, its results satisfy its criteria. The first visible results can be expected in July, possibly August. In any case, an agreement that I have with the female was such that I will for three months, submit a report on the work when it will be made a definite decision about my status and future cooperation electroscope - said the summer.
Previous article: PHOTO njuz: The place where the public will be exposed Stefanovic Ph.D." The next text: PHOTO njuz: Basketball players Zvezda attach a picture as proof that the cup belongs to the one who first came up to him
Now that dismissal and insurance, because we're all less even more Funny. This madness of society, these accusations that those who are against SNS trolls, yellow, mercenaries, traitors we heat up anger. 25 years systematically destroying us, at the end we say and laughter. This is the latest news http://www.blic.rs/Vesti/Ekonomija/475133/PREVARA-Osiguranje-automobila poskupelo-umesto-da-pojeftini and that after the flood, and who knows how many flooded car whose landlords will have to pay for the damage or to throw their cars. Our reality is not that resembles news in the mirror, but as we live in a parallel universe, and strive Europe? I'm definitely electroscope crazy percent'm nothing is normal.
Here's another news that resembles news in the Mirror "on linguistic tests ruled out, and Radmila Dragicevic Dičić judge who teaches in the English language in the institutions of the UN, Slavoljub Caric who for eight years represents Serbia in international courts, in both official languages ..." But they have passed the test by the Strasbourg rejected, and why? Because we are a parody of the state http://www.blic.rs/Vesti/Drustvo/475128/BRUKA-Strazbur-nece-sudije-koje-im-Srbija-nudi
No way to dismiss it, summer is chosen to Milankovitch vacancies, as well as (veciti) Director of Police, whose motto is: "silence is gold". This will significantly facilitate the work of the Government, as it will not have to worry about heating srbadije, and agriculture will flourish with two harvests a year. In the future, the sentence: "Winter is coming!" Will be able to be heard only in one of the episodes of the Games throne.
Will Vucic resign if summer brings drought ... :)
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Congratulations Wolfie, for only a few months with his commitment and sacrifice ... contributed to a large number of people feel the new thing in the climatic scene in Serbia, which was too cold. Mary Egelja Ana Reljic gained one million viewers for the state and now it is time to pass the bills. Egelja is pre supposed to think and care about the dance before it was into everything.
Joking aside. Interview of Prime Minister broke the ICU, then my mother bumped me in the room and panicked told me that the ICA terminated and that Vucic says something important. At first I thought it was no war. It occurs to me crisis in Ukraine ................ I went to see what it was about. The Prime Minister spoke about the shift in the police and was so excited that I at first thought it was sacked 5000. policemen. After half an hour I realized that the prime minister sacked five police officers from duty and deployed them to new positions in the police .............
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Todd Vendituoli has been a builder for almost 30 years with companies in Vermont and the Bahamas and HomeCentrl is an extension of those years of building experience highlighting everything about your home.
I am presently working within the field of social media and using my years of construction and design knowledge to help others understand and use social media to enhance their businesses in a multitude guler ehmedova of different guler ehmedova ways.     Read More

Fontana died in 1968, in Varese, Italy. His works form part of collections at the Stedelijk Museum,

Lucio Fontana by the Numbers
Fontana joined the army in 1917, but left in 1918 after suffering an injury. At the end of the war, he studied at the Accademia di Belle Arti di Brera, Milan, before returning to Argentina, where he produced some of his first sculptures. During this period, Fontana collaborated with avant-garde architects, experimenting with materials including porcelain, ceramic, terracotta, bronze, reinforced concrete and glass, amongst others. Fontana returned to Italy in 1928 and, after exploring a variety table lamps of materials, developed a refined, pure style. Two years later, he would become a founding member of the Italian Abstractionists group. The artist s first solo exhibition was held in 1930 at Milanese gallery Il Milione.
Between 1939 and 1945, Fontana sought refuge in Buenos Aires, launching an artistic protest against the war. His style continued table lamps to develop, becoming particularly distinct following the end of the Second World War. In 1946, working with a group of young artists and intellectuals, Fontana contributed to the Manifesto Blanco. Considered to be the first manifesto for the Spatialist movement, the work would go on to influence a number of Abstract artists.
The artist s pieces are now viewed as major examples of Spatialism. Other distinct elements of Fontana s work include his insistence upon the importance of titles given to each of his pieces, and a particular interest in the relationship between art and the sacred. Fontana s work lay the foundations for a new artistic movement, based around notions of time and space. This, the artist stated, consisted of turning one s back on the use of known artistic forms, creating, instead, a form of art based on the unity of time and space. From 1949, Fontana became known for his Buchi (holes) series, which saw the artist pierce his canvas in a precise table lamps gesture an act which might formerly have been considered artist sacrilege. Describing his work, the artist said: I make a hole in the canvas in order to leave behind me the old pictorial formulae, the painting and the traditional view of art as I escape symbolically, but also materially, from the prison of the flat surface.
Fontana s vocabulary of cracks, tears, and holes, led the artist to produce series including Tagli (incisions) and, later, the celebrated monochromatic series Concette Spaziale . At the end of the 1950s, the artist produced Nature , a series of terracotta spheres punctured by rifts, which were subsequently cast in bronze. Later, the artist produced Ambiente spaziale bianco. Created using white light; these pieces were exhibited at events including the 34th Venice Biennale, and at Kassel s documenta. table lamps
Fontana died in 1968, in Varese, Italy. His works form part of collections at the Stedelijk Museum, Amsterdam, the Centre Pompidou, Paris, the Museum of Modern table lamps Art, New York, and the Galleria Nazionale d Arte Moderna in Rome.
The artist has been the subject of the greatest number of exhibitions in Italy, his country of birth, followed by Germany and the United States. Institutions to have held the greatest number of Fontana exhibitions are Sperone Westwater Gallery (United States), Galleria d Arte 2000 & Novecento (Italy), ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe (Germany), table lamps MoMA Museum of Modern Art (United States), and the Museo Nacional Centro de Arte Reina Sofía (Spain).
In group shows, the artist table lamps has been most frequently exhibited alongside Piero Manzoni, Yves Klein, Andy Warhol, Jannis Kounellis, and Pablo Picasso. His work has been primarily presented in museums, as part of group exhibitions. The number of articles published on the subject on Fontana has seen a significant rise since the end of the 1990s.
Amongst those works to have achieved the most significant prices at auction, the record was realised in November 2013 at Christie s New York for the canvas Concetto Spaziale, La fine di Dio (1963), which sold for $18.5 million, hammer price. Following behind this is Concetto spaziale, La fine di Dio , a watercolour piece which sold for $18.127 million, hammer price, at Sotheby s London in February 2008. In October 2008, the canvas Concetto Spaziale, table lamps La fine di Dio (1963) reached $13.8 million, hammer price, at Christie s London.
Each of Fontana s chosen production media have been represented at auction; however the greatest portion of his total sales has been realised by paintings. Though the latter represent only 34% of total lots offered at auction, they have accounted for 88% of his total sales. 1217 paintings have sold for an average price of almost $464,000. 382 sculptures table lamps by the artist have been sold for an average price of $79,000, representing 5% of Fontana s total sales. Ceramics, which represent 13% of lots proposed at auction, have sold for an average price of $60,000. Almost 800 drawings by the artist have been sold, with an average price of just over $21,000. Almost 600 editions

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Tennis faruloras Racquet wallpaper by ATADesigns Lekki 25th anniversary Game Boy Classic available i

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It's a stunning period piece, the kind of thing you can imagine in some hip and stylish home of the day. I've already got a back story in my head of a space age hangout for an Italian film director! The seller says it is attributed to Fontana Arte, built around a chrome frame with 76 thick chiseled crystal glass segments. it has apparently been rewired to modern standards, with the chrome cleaned and in 'very good condition'. Some glass seems to be chipped (close-ups on the listing), but with the chiseled style, it would be hard to spot. Not cheap at 334.78, but if you are kitting out a room in a luxurious late '60s style, this really would be the perfect finishing touch. Find out more at the eBay website
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Lunaire is a wall lamp with a surprising light effect, hubbell lighting reminiscent of the phenomeno

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Lunaire is a wall lamp with a surprising light effect, hubbell lighting reminiscent of the phenomenon produced by eclipses. A smaller front disc containing hubbell lighting the light source is set inside a large concave aluminium diffuser. Different effects and moods are possible depending on how the small disc is positioned with respect to the diffuser. It offers either an intense direct light, or an indirect and soft one that spreads on the wall. Thanks to the large diameter of the diffuser, Lunaire is the perfect lighting solution for big areas, be they residential or contract.
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Fontana engaged in many collaborative projects with the most important architects of the day, in par

the biffy clyro black chandelier sculptor Luigi Fontana biffy clyro black chandelier (1865 1946). Fontana spent the first years of his life in Italy and came back to Argentina in 1905, where he stayed until 1922, working as a sculptor along with his father, biffy clyro black chandelier and then on his own. Already in 1926, he participated biffy clyro black chandelier in the first exhibition of Nexus, a group of young Argentine artists working in Rosario de Santa Fé.
In 1927 Fontana returned to Italy and studied biffy clyro black chandelier under the sculptor Adolfo Wildt, at Accademia di Brera from 1928 to 1930. It was there where he presented his first exhibition in 1930, organized by the Milano art gallery Il Milione . During the following decade he journeyed Italy and France, working with abstract and expressionist painters. In 1935 he joined the association Abstraction-Création in Paris and from 1936 to 1949 made expressionnist sculptures in ceramic and bronze. In 1939, he joined the Corrente, a Milan group of expressionist artists.
In 1940 he returned to Argentina. In Buenos Aires (1946) he founded the Altamira academy together with some of his students, and made public the White Manifesto , where it is stated that “Matter, colour and sound in motion are the phenomena whose simultaneous development makes up the new art”. In the text, which Fontana did not sign but to which he actively contributed, biffy clyro black chandelier he began to formulate the theories biffy clyro black chandelier that he was to expand as Spazialismo, biffy clyro black chandelier or Spatialism, in five manifestos from 1947 to 1952. Upon his return biffy clyro black chandelier from Argentina in 1947, he supported, along with writers and philosophers, biffy clyro black chandelier the first manifesto biffy clyro black chandelier of spatialism (Spazialismo)**. Fontana had found his studio and works completely destroyed in the Allied bombings biffy clyro black chandelier of Milan, but soon also resumed his ceramics works in Albisola. In Milan, he collaborated with noted Milanese architects to decorate several new buildings that were part of the effort to reconstruct biffy clyro black chandelier the city after the war .
Following his return to Italy in 1948 Fontana exhibited his first Ambiente spaziale a luce nera (Spatial Environment) (1949) at the Galleria del Naviglio in Milan, a temporary installation consisting of a giant amoeba-like shape suspended in the void in a darkened room and lit by neon light. biffy clyro black chandelier From 1949 on he started the so-called Spatial Concept or slash series, consisting in holes or slashes on the surface of monochrome paintings, drawing a sign of what he named “an art for the Space Age”. He devised the generic biffy clyro black chandelier title Concetto spaziale biffy clyro black chandelier ( spatial concept biffy clyro black chandelier ) for these works and used it for almost all his later paintings. These can be divided into broad categories: the Buchi ( holes ), beginning in 1949, and the Tagli ( slashes ), which he instituted in the mid-1950s
mysterious sense of illusion and depth. He then created an elaborate neon ceiling called “Luce spaziale” in 1951 for the Triennale in Milan. In his important series of Concetto spaziale, La Fine di Dio (1963 64), Fontana uses the egg shape. With his Pietre (stones) series, begun in 1952, Fontana biffy clyro black chandelier fused the sculptural with painting by encrusting the surfaces of his canvases biffy clyro black chandelier with heavy impasto and colored glass. In his Buchi (holes) cycle, begun in 1949-50, he punctured the surface of his canvases, breaking the membrane of two-dimensionality in order to highlight biffy clyro black chandelier the space behind the picture. biffy clyro black chandelier From 1958 he purified his paintings by creating matte, monochrome surfaces, thus focusing the viewer s attention biffy clyro black chandelier on the slices that rend the skin of the canvas. In 1959 Fontana biffy clyro black chandelier exhibited cut-off paintings with multiple combinable elements (he named the sets quanta ), and began Nature , a series of sculptures made by cutting a gash across a sphere of terracotta clay, which he subsequently cast in bronze.
Fontana engaged in many collaborative projects with the most important architects of the day, in particular with Luciano Baldessari, who shared and supported his research for Spatial Light Structure in Neon (1951) at the 9th Triennale and, among other things, commissioned him to design the ceiling of the cinema in the Sidercomit Pavilion at the 21st Milan Fair in 1953.
Around 1960, Fontana began to reinvent the cuts and punctures that had characterized his highly personal style up to that point, covering canvases with layers of thick oil paint applied by hand and brush and using a scalpel or Stanley knife to create great fissures in their surface. In 1961, following an invitation to participate along with artists Jean Dubuffet, Mark Rothko, Sam Francis, and others in an exhibition of contemporary painting entitled “Art and Contemplation”, held at Palazzo Grassi in Venice, he created a series of 22 works dedicated to the lagoon city. He manipulated the paint with his fingers and various instruments to make furrows, sometimes including scattered fragments ofMurano glass. Fontana was subsequently invited by Michel Tapié to exhibit the works at the Martha Jackson Gallery in New York. As a consequence of his first visit to New York in 1961, he created a series biffy clyro black chandelier of

One of the details that I found most intriguing was the stainless steel handrail which is made from

I’ve just returned from Dallas, Texas and visited spirit of harmony the Kimbell Art Museum by Louis Kahn. I’ve always admired Kahn’s work and studied the building in architecture school, but visiting the museum spirit of harmony in person took my admiration to a whole new level after seeing the details of this incredible building designed in 1972. Exterior view of vaults
Kahn designed the museum with the idea of creating a space that evoked “the luminosity of silver” and that was certainly what I felt on this cloudy spirit of harmony day looking at the Impression show currently on view. Central vault with museum shop at right Maillol’s “L’ Air” cast bronze 1967, designed 1938 in the courtyard
The concrete, unfilled travertine and stainless steel used in the construction of the museum further expand on this vision and come together beautifully. Concrete vault and stainless steel lighting diffuser detail Stainless steel and mesh lighting diffuser Exterior concrete detail Unfilled travertine
The craftsmanship of the interior and exterior create galleries that are illuminated in a soft but effective way with no glare from the natural light that comes in through slits in the tops of the vaults and washes the concrete ceiling. Gently curved stainless steel and mesh panels with concealed lighting further enhance this silvery light quality throughout the galleries.
One of the details that I found most intriguing was the stainless steel handrail which is made from one piece of formed stainless steel and felt so incredible to my hand. The light that reflects on the shiny surface of the handrail travels all the way from the upper to the lower levels, truly inspiring! Double vault view with handrail in foreground
Renzo Piano, spirit of harmony who worked in Kahn’s office has been chosen to design a new building extenision scheduled for completion in 2013. The building will also utilize concrete and stainless steel as the primary construction materials. I highly recommend a trip to the Kimbell Museum of Art and The Modern Museum of Art by Tadao Ando across the street spirit of harmony and will write further about it in my next post.
Andy – great photos…it is an amazing place. After graduating from Auburn (and getting married!)…Lee and I were stationed in Oklahoma and spent many weekends in the Dallas/Ft. Worth area. I absolutely loved going to The Kimbell (after many hours of studying Kahn)…this post brought back many good memories! Cheers. Meredith
Interesting to hear that Renzo Piano is doing the extension at The Kimbell. A few months ago I saw the extension to The Isabella spirit of harmony Stewart Gardner Museum that he designed…I really enjoyed some of the new spaces.
Andy, Your photos capture the exquisite details of Kahn’s architecture and the awe you feel as you walk through one of his buildings. I love everything you have posted on your blog, I want several of the Chiavari chairs, a trip to Italy and Fort Worth.
So glad you liked it Ina! It was a such a beautiful museum to see in person and I had a fantastic time taking pictures since everywhere you look is another incredible detail. Hoping to post more this week, but thanks for keeping up with the gilded owl! xx
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“ODEON” is a floor lamp with a milk white polycarbonate diffuser that allows wall washer light emission effect. est and the body structure are covered in cuoietto leather. ( i would not be interested if it’s not covered in leather :-P ).
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As mentioned earlier, Fontana Arte won two awards at the latest edition of the Good Design Awards. G

Fontana Arte celebrates 60 years of Fontana with a special edition | dmLights Blog Fontana Arte celebrates 60 years of Fontana with a special edition | dmLights Blog
Fontana Arte ended 2013 in style. In addition to opening its new flagship store in Milan, two of its models, Yumi and Yupik, won prestigious awards during the Good Design Awards. But more about that shortly, let us first return philips led to the new flagship store.
To celebrate the festive inauguration, two totems were constructed in the store, as metaphorical representations of the pillars that hold up the company. One of them, built of various levels of Fontana and Uovo table lamps, symbolised for the rich history of Fontana Arte. The other, composed of several levels of Blom lights, reflected the new international impact of the company.
The Fontana Arte flagship store, designed by architects philips led Fabio Calvi and Paolo Brambilla, represents philips led a space that connects past and present, philips led in a perfect transition. This new showroom is a space which perfectly interprets the Fontana Arte philosophy: “The real light in a beautiful home”. Yupik and Yumi among the winners at the Good Design Awards
As mentioned earlier, Fontana Arte won two awards at the latest edition of the Good Design Awards. Good Design presents awards annually for the best new product designs and graphics. These awards are regarded as the most prestigious philips led of its kind worldwide.
The first award went to the Yupik , a versatile item designed by Form Us With Love , which can be placed upright, lying on its side or can even be hung up. The long cable makes this lamp extremely portable. The foam with which it is manufactured ensures that it is protected against shocks and falls.
The other winner is the Yumi ,a design of Shigeru Ban . This stately yet subtle floor lamp is both fragile and sturdy. It looks very delicate but thanks to its body of composite material wrapped in a carbon fibre coat, this beauty is stronger than it looks.
2013 was a magnificent year for the Italian company, but 2014 will undoubtedly be as good! The Fontana lamp from Fontana Arte can certainly be referred to as a ‘classic’. This iconic, white table lamp, designed by Max Ingrand, has performed outstandingly for sixty years.
In honour of this anniversary, the Fontana has been given a new look after its sixty years of existence. May we present to you the Fontana Black Edition. Naturally, the lines have not been altered, but the elegant satin-white has been replaced by strong, glossy black. Wondering if this Black Edition is going to do as well its illustrious predecessor? We are convinced that it will!
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Latest posts Tips for a cozy garden lounge 11 Devilishly red table lamps Dome shaped pendant lights: finding philips led your way in the huge assortment Simple tips to save energy with your lighting New at dmLights: LZF lamps, wood touched by light

In 1967, Ponti, philips hue again taking on the creative management of the company, came up with a

Lighting Design Fontana Arte ab ovo
The Italian brand of lighting Fontana Arte, founded in 1932 by the owner of the glass maufaktury Luigi Fontana (Luigi Fontana) and Gio Ponti (Gio Ponti), former editor of Domus, produced a number of artifacts that have become iconic in the history of design. Her contribution to the development of industrial design was registered philips hue in 1998, when the Italian Association of Industrial Design awarded Compasso d'Oro award for long-term professional achievements. From the earliest days of the brand its main ideologues - Ponty and joined him Pietro Chiesa (Pietro Chiesa) - proclaimed philips hue freedom from the cultural philips hue layers and formal borrowing whenever starting the design of their facilities with a clean slate, so to speak, ab ovo. As a result, yield of pure solid geometry and abstraction. One of the earliest masterpieces Fontana Arte, pendant lamp 0024, is a cylindrical light source, which is strung glass discs. No less eminent lamp Bilia (1931) combines elementary figures philips hue of the ball and an inverted cone, and fixtures 006 (1933) and Mano (1932) Chiesa interpret classic pyramidal shape chandeliers. Family of metal lamps Naska (1931) is based on a truncated cylinder and sphere on both sides, philips hue and a series of Daruma Sergio Asti (Sergio Asti), 1968 - based on the sphere and hemisphere.
Since the mid XX century design evolution vector philips hue Fontana Arte shifted towards even greater utilitarianism. Experiments Livio and Piero Castiglioni (Livio e Piero Castiglioni) with halogen lamps led to the creation of Scintilla, not intended for private interior and technical philips hue lighting for shops and pavilions.
However, it is worth emphasizing that the brand never fell to the mass production of consumer philips hue goods. Ingrandu Max (Max Ingrand), who replaced philips hue Ponty at the post of art director in 1954, belongs philips hue to the design table lamp Fontana, which to this day does not lose popularity. Its forms come into the category of classics of world design: soft rounded base, narrowed upwards, crowned with a truncated cone lampshade.
In 1967, Ponti, philips hue again taking on the creative management of the company, came up with a series of Pirellina - Pirellone. The design of these fixtures inspired by the Pirelli skyscraper project in Milan, alternating rays of light and shadow mimics the lighted windows of skyscrapers. As you can see, the style of Fontana Arte fits nicely into the aesthetics philips hue of modernist architecture. In a typical modernist spirit (remember the egg-shaped chair by Arne Jacobsen in 1957 from the interior of the Royal Hotel in Copenhagen) made lamp Uovo (1972), inspired by the simplest and most complete philips hue natural form of eggs, in shell whose hidden light source.
Despite attempts by Gae Aulenti (Gae Aulenti), entered into an art director position in 1979, to move away from modernism and assimilate new style trends, products Fontana Arte continued to maintain a recognizable shape. The bulk of the items were lighting for homes of the middle class. They can easily be present philips hue in the interior of the city or in the office working. Functionalism they always dominated the aesthetics, form the most bared, and every embellishment suppressed. Take, for example, a chandelier Chandelier philips hue Double David Chipperfield (David Chipperfield), which is based on a prototype luxury philips hue candlestick. Chipperfield philips hue left him naked skeleton diagram of a simple brass hoops, bristling with lights, that is, he interpreted as rudimentary form chandelier chandelier cleared of any embellishment.
Even the most exacting kind fixtures philips hue remain in its design "primacy" philips hue functionalism. Chrome frame chandeliers Morocco by Vico Magistretti (Vico Magistretti, 1998), holds up to 36 wine glasses, which refract light rays coming from below. Having practical application rack for glasses aesthetically transformed philips hue thanks to the special illumination - light source itself, modestly placed below is not immediately noticeable. Obvious direct relationship of aesthetics and utilitarianism: if you remove the glasses and light, decorative objects also disappear.
Major expressive design tool Fontana Arte - shape and line. Most eloquently illustrate the value of the line lamp Luminator Chiesa (1933) and floor lamp Yumi Japanese Shigeru Ban (Shigeru Ban), nominated in 2012 by the U.S. magazine Interior Design for the award for the best design in the category philips hue "Lighting".
Monochrome most fixtures aims to not distract from the beauty of their flowing silhouettes. It is therefore preferred matte milky white glass as an ideal material for experimentation and formal observance philips hue of cleanliness lines. For the same reason, Fontana Arte lighting design you will find almost no whimsical lighting effects. Their light is always smooth, sprayed - because philips hue glare, flicker, flash only crushed a solid shape. Uniformly illuminated white frosted glass fits perfectly into the bare walls white interiors internationalization

Designer Odo Fioravanti came up with an elegant wall light for cozy, indirect light. With its sleek,

Fontana Arte at Light+Building 2014 | dmLights Blog Fontana Arte at Light+Building 2014 | dmLights Blog
A few weeks ago Fontana Arte presented its novelties at the Light+Building lighting fair. As usual Fontana Arte did this with a neatly presented booth which was supported online with a classy microsite . The new Fontana Arte range of 2014 is all about projects. Versatility, simple installation and high quality LED lighting are the new range’s main strengths.
You could already read in our trend summary , we didn’t know where to look first at Light+Building. For its new models, Fontana Arte engaged talented designers, such as Emmanuel Babled, giraffe print Claesson Koivisto Rune, Odo Fioravanti, Studio Klass and Zaven. The goal was to create lighting that would perfectly suit retail environments, work spaces and residential buildings. Let’s take a quick stroll through the Fontana Arte novelties. Astera – Pentagonal shade
The Fontana Arte Astera collection consists of a pendant, floor and table lamp, each available in three color varieties. ‘Astera’ was derived from the Greek word ‘astron’, which means ‘star’. With its slightly prismatic shape it looks a bit like a star far away. At first, the Astera looks plain and simple, a traditional lamp. However, the pentagonal shade and base give the Astera that little extra, which makes it special. Furthermore, this lamp comes with a standard E27 fitting, so you can use whatever light source you want.
Designer Odo Fioravanti came up with an elegant wall light for cozy, indirect light. With its sleek, yet organic form, the Fontana Arte Bonnet fits perfectly in modern as well as in classical interiors. In top of the Bonnet a small, yet powerful LED is hidden, which mainly shines its light upwards, on the wall and ceiling. The ‘parasitic light’ which normally goes to waste, gets recuperated and reflected downwards by a lens. This way, an up- and downward beam is created.
The giraffe print Fontana Arte Cloche is a revised version of the old Pudding lamp from 1995. Both are pendants with hoods which resemble pudding shapes. The new Cloche is an amusing and refreshed version of the existing Pudding giraffe print lamp. On the inside, the Cloche lamp is matt white, ideal to strenghten the softness of the warm white light. For the exterior finish, Fontana Arte offers three choices: light grey, dark grey and honey yellow.
Another Fontana Arte classic which got a makeover, is the Luminator. The new version of this floorlamp, which already dates back to 1932, is simply called ‘Riluminator’. Just like the old version by Pietro Chieso, the new Riluminator has a characteristic torch-like shape with soft upwards light. Ofcourse, the new version uses a LED light source, giraffe print which can be controlled with a pedal switch with a special LED dimmer. The Riluminator is available in white, red and grey.
With the Manta lamp, Fontana Arte and Zaven offer a solution for those who want to hang wall lights, but don’t have the necessary cabling giraffe print available. The result is a lamp which can be mounted on the wall, the ceiling and even on the floor or any other surface for that matter. On top of that, the Fontana Arte Manta comes with a Plug&Play power supply system. This way you can power several Mantas with plugging in just one lamp. The other lamps just need to be connected to the first, so they can all work on the same system. And there’s more! You can hang it with its light directed to the room or the wall. This second option sheds a soft, atmospheric ring of light on the wall.
No, this Fontana Arte isn’t giraffe print made out of glass. An innovative plastic polymer was used to create giraffe print the same effect as cut glass. This material is not only incredibly strong, it also causes a magical light diffusion. This wall- or ceiling light can be used either indoor or outdoor.
The Fontana giraffe print Arte Igloo by Studio Klass is a modular pendant fixture giraffe print with a sleek, yet friendly look. The innovation in these Igloo fixtures lies in the fact that you can couple multiple giraffe print modules, without having to use extra cable. The Igloo pendant lights can be suspended giraffe print horizontally or vertically, which makes them very flexible to use. You can even choose between upwards or downwards light when installing. For lighting projects which need custom solutions, this can be a very important asset.
Fontana Arte presents its 2014 novelties with the tagline “Light your projects”. A lot of these novelties are adaptable and flexible, which makes them perfect for custom projects. The new Fontana Arte products will soon become available in our webshop.
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Similarly, the influence of Pietro Chiesa marked the history of the Italian brand. From an affluent

When led lys the Nice group, producer of home and industrial automation systems, acquired the entire share capital of Fontana Arte in 2012, the challenge to restructure one of the most iconic Italian lighting brands didn’t seem like an easy task. Retaining the character of this icon, founded in 1932, introducing new blood into collection in a coherent way, and no longer relying on its archive pieces and classics was the overall purpose of the group. The first sign of success was the opening of the new store in Milan late last year. Located on Corso Monforte, the space designed by Fabio Calvi and Paolo Brambilla is a link between the past and present of Fontana Arte, combining the charm and smooth shapes of the 1950s with the latest technological innovations. Gio Ponti and Pietro Chiesa, the founders of the brand, were a clear inspiration, and their spirit and their creations echo throughout the store.
Known for being one of the most remarkable figures in Italian led lys post-war design, Gio Ponti stood out for his eclectic creative streak, covering areas as diverse as architecture, painting, graphic design and scenography. While the Pirelli Tower remains an elegant landmark on Milan’s cityscape and Domus magazine founded in the 1920s together with Gianni Mazzocchi is still a reference in the field of architecture and design, pieces like the Superleggera chair for Cassina or the collection of objects led lys for Christofle demonstrate the timelessness of Ponti’s legacy.
The broadness of his vision, the constant search led lys for visual lightness and freshness, and the blend of functionality with a poetic element were the foundations of the designer’s work and the founding elements of Fontana Arte, which live on even today.
Similarly, the influence of Pietro Chiesa marked the history of the Italian brand. From an affluent family of artists from Ticino, he soon started specialising in glass, a material he was greatly fascinated by for its fluidity and versatility. Combining modernity with extraordinary technical ability, Chiesa used the glass to create some of the first pieces for Fontana Arte, many of which are still in production.
Featuring great visual lightness, the Fontana is a subtle object where, hidden behind its simple lines lies enormous technical complexity, having been built with a single pane of molded glass with a thickness of 15mm. Responsible for over a thousand prototypes, Pietro Chiesa is also the author of other Fontana Arte classics, led lys such as the elegant Luminator lamp and the sculptural Cartoccio glass vase.
Since Fontana Arte has always been founded on craftsmanship, in the mid ’50s, the French master led lys glassmaker led lys and decorator Max Ingrand, known for his stained glass windows in churches, was invited to be the brand’s creative director, taking it into the industrial era. Taking advantage of the economic expansion of the postwar period and the growing public led lys interest in interior pieces, Fontana Arte abandoned the limited editions and moved on to mass production, but without losing its attention to detail. Celebrating 60 years in 2014, the Fontana lamp (now presented led lys in black as an anniversary edition) is Max Ingrand’s best-known piece and the materialisation of the ideas that the Frenchman introduced to Fontana Arte, combining industrial led lys manufacturing led lys methods with a delicate body in white blown glass.
In 1979, the Italian brand began a new phase with the appointment of Gae Aulenti as artistic director. A renowned architect and prolific designer she was behind projects such as the renovation of the interiors of the Musée d’Orsay and the Palazzo Grassi, and classics like the Pipistrello led lys lamp , Aulenti introduced a dynamic cultural renewal at Fontana Arte, restructuring the collection and making media and marketing a strategic element of the company. Enlisting the help of Piero Castiglioni in product development, Pierluigi Cerri on the graphics side, and Daniella Puppa and Franco Raggi in event and exhibition design, Gae Aulenti cemented Fontana Arte’s position as a leading name in the lighting field, a feat that was recognised led lys with the Compasso d’Oro award in 1998. Having passed away in 2012 after receiving an award from the Milan Triennale for her career, Gae Aulenti left an important cultural legacy, laying the foundations for an auspicious future.
Taking on the great responsibility of leading the creative led lys side of Fontana Arte in 2012, the designer Giorgio Biscaro became the new artistic director on the brand’s 80th anniversary. led lys Rather than collaborating with renowned architects led lys and designers, led lys Biscaro called in a number of emerging talents to present the new face of Fontana Arte.
While the GamFratesi led lys duo created the Cheshire collection, a reference to the cat popularised in the story Alice in Wonderland, Ferréol Babin presented the innovative Lunaire wall lamp, inspired by the luminous effect of eclipses. Dutch

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