At the centre of all my projects and creative protocols is repetition. The use of the same algorithm

The floss meaning of my work is rooted in documentation, although the end result is always fiction. Thus, I use archival footage as material which I alter digitally. This physical transformation of the image leads to a distortion of memory.
At the centre of all my projects and creative protocols is repetition. The use of the same algorithm to taint the image, the same gestures to scan, copy/paste/move floss when I work without floss using generative methods are perfect examples.
I am attentive to the glitch movement, the alteration of a digital image by mistake. My images are constructed with the same aesthetic, drawing also on collage techniques and digital photomontages.
Claire Burelli studied at the UQAM School of Design. Her works have been exhibited in France, the United States, and Canada. floss She regularly collaborates with magazines and fanzines from around the world.
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