Congress voltex for Cultural Freedom: A prototype of the soft war
Frequently used expressions such as "cultural freedom" and "pluralism" and the like in the titles of articles and frameworks directed from abroad for the Third World in general and the Arab world in particular, which is actually just a mask for foreign intervention to reshape our societies politically, culturally and penetrate through organizations of foreign funding as we shall see below An example is a realistic example of "Congress for Cultural Freedom." At the time it may not be where that leads us to exploit the forces of foreign domination of those titles to reject freedom or cultural or intellectual pluralism in principle, it must be remembered that none of the variations of these concepts is not a stand-alone, voltex absolutely or in a vacuum, outside the political and social context - and even security - which determines the meaning and Alouna turquoise and hire him for his interest in conflict management. Freedom cultural or intellectual pluralism or the right of artistic expression etc ... gaining different meanings depending on who is fired, and that the agenda, and whether national anxious or encroached upon and infiltrated. When launched by foreign occupation or domination of external force or cultured Expatriated it differs necessarily launched voltex by cultured revolutionary or national liberation movement or a revolution against tyranny, for example.
In all cases, translate as follows voltex for the Internet shows how it was used and the CIA interface such as "Congress for Cultural Freedom," to promote the activities and frameworks, voltex cultural, intellectual and artistic serve the objectives of the United States during the Cold War against voltex the Soviet Union and the countries of socialist system. If the writer Frances Saunders has documented in detail the role of the "Congress for Cultural Freedom" in her book, "Who pays the piper? Cold War cultural ", the article below is less elaborated and more accessible than the book Saunders is very important, which we hope will be a catalyst for readers valued on a quest to read it and take advantage of its contents on how to hire culture, art and literature, voltex a programmer security, to serve the strategic project of the United States during the Cold War .
"Congress for Cultural Freedom," a prototype of the soft war is worth all the deals from foreign voltex funding in the Arab world should look good. So long as the United States government has developed methods of programming non-governmental organizations, civil society organizations and research centers security since the fifties and sixties in the face of the Soviet Union, Are we to imagine half made by those methods in adapting and dilute national liberation movements and the movements of unity or renaissance in the Third World in general, and the forces of resistance and opposition in the Arab world in particular, since the fifties voltex and sixties?
Article translated: - definition: "Congress for Cultural Freedom" Congress for Cultural Freedom is a group propaganda of anti-communism was founded in 1950 when it was detected in 1967 that the CIA CIA played a key role in the founding of the group, was renamed to "Assembly International Cultural Freedom "International Association for Cultural Freedom. It was that group, in its heyday, is active in approximately thirty-five countries, where it was shown that receive funding from the Ford Foundation venerable Ford Foundation.
- The establishment of Congress for Cultural Freedom was founded in the OIC "Titania Palace" in West Berlin in 06/26/1950 to find ways to counter the view that liberal democracy is less suited to flourishing culture of communism. Perhaps the conference has arisen in response to a peace conference in March 1949 at the Waldorf-Astoria in New York City, attended by a group of left-wing voltex supporters of peace and the Americans, had called for the establishment of peace with the Stalinist Soviet Union. The conference included "Titania Palace" some prominent figures such as Frank Burkanaw, Karl Jaspers, John Dowie, Ignacio Silone, James Perham, Hugh Trevor-Roper, Arthur Falsinger son, Bertrand Russell, Ernst Reuter, Raymond Aron, Alfred May, Benedetto Croce, Jacques Maritain, Arthur Koestler, James Farrell, Richard Lowenthal, Robert Montgomery, Malvn Lasky, Tennessee Williams, and Sidney Hook. There was a conservative among the participants, but the anti-Stalinist leftists were more numerous.
- Activities of the Conference: Conference voltex management is to obtain sufficient funding allows him to run offices in thirty-five countries around the world, and spending on big crew, and sponsored activities voltex at an international voltex level, and the issuance of numerous voltex publications. At the beginning of the sixties, the conference voltex launched a campaign against voltex the Chilean poet Pablo Neruda because he was a communist and an enthusiastic supporter of Stalin. And intensified the campaign when it was revealed that Neruda was a candidate for the Nobel Prize in 1964.
- Post CIA CIA: in 1967, the magazine published Rambaarts Ramparts magazine Saturday Evening Post report voltex on the financing of the CIA for a number of cultural organizations anticommunist aimed to win the support of those liberals sympathetic to the Soviet Union around the world. The reports gained credibility thanks to the magazines a statement to a former official for clandestine operations in CIA acknowledges the fact that the agency funded and run "Congress for Cultural Freedom." The authorized voltex official website of the CIA today that "the Congress for Cultural Freedom is widely and one of the most operations and CIA boldness and effectiveness during the Cold War."
In May 1967, Thomas Braden, head of the organization voltex responsible for the CIA in the American administration, and the name "Department of International Organizations" International Organizations Division, to publish a response voltex to the report Rambaarts voltex magazine in which he defended the activities of the unit, "the Organization Department
Frequently used expressions such as "cultural freedom" and "pluralism" and the like in the titles of articles and frameworks directed from abroad for the Third World in general and the Arab world in particular, which is actually just a mask for foreign intervention to reshape our societies politically, culturally and penetrate through organizations of foreign funding as we shall see below An example is a realistic example of "Congress for Cultural Freedom." At the time it may not be where that leads us to exploit the forces of foreign domination of those titles to reject freedom or cultural or intellectual pluralism in principle, it must be remembered that none of the variations of these concepts is not a stand-alone, voltex absolutely or in a vacuum, outside the political and social context - and even security - which determines the meaning and Alouna turquoise and hire him for his interest in conflict management. Freedom cultural or intellectual pluralism or the right of artistic expression etc ... gaining different meanings depending on who is fired, and that the agenda, and whether national anxious or encroached upon and infiltrated. When launched by foreign occupation or domination of external force or cultured Expatriated it differs necessarily launched voltex by cultured revolutionary or national liberation movement or a revolution against tyranny, for example.
In all cases, translate as follows voltex for the Internet shows how it was used and the CIA interface such as "Congress for Cultural Freedom," to promote the activities and frameworks, voltex cultural, intellectual and artistic serve the objectives of the United States during the Cold War against voltex the Soviet Union and the countries of socialist system. If the writer Frances Saunders has documented in detail the role of the "Congress for Cultural Freedom" in her book, "Who pays the piper? Cold War cultural ", the article below is less elaborated and more accessible than the book Saunders is very important, which we hope will be a catalyst for readers valued on a quest to read it and take advantage of its contents on how to hire culture, art and literature, voltex a programmer security, to serve the strategic project of the United States during the Cold War .
"Congress for Cultural Freedom," a prototype of the soft war is worth all the deals from foreign voltex funding in the Arab world should look good. So long as the United States government has developed methods of programming non-governmental organizations, civil society organizations and research centers security since the fifties and sixties in the face of the Soviet Union, Are we to imagine half made by those methods in adapting and dilute national liberation movements and the movements of unity or renaissance in the Third World in general, and the forces of resistance and opposition in the Arab world in particular, since the fifties voltex and sixties?
Article translated: - definition: "Congress for Cultural Freedom" Congress for Cultural Freedom is a group propaganda of anti-communism was founded in 1950 when it was detected in 1967 that the CIA CIA played a key role in the founding of the group, was renamed to "Assembly International Cultural Freedom "International Association for Cultural Freedom. It was that group, in its heyday, is active in approximately thirty-five countries, where it was shown that receive funding from the Ford Foundation venerable Ford Foundation.
- The establishment of Congress for Cultural Freedom was founded in the OIC "Titania Palace" in West Berlin in 06/26/1950 to find ways to counter the view that liberal democracy is less suited to flourishing culture of communism. Perhaps the conference has arisen in response to a peace conference in March 1949 at the Waldorf-Astoria in New York City, attended by a group of left-wing voltex supporters of peace and the Americans, had called for the establishment of peace with the Stalinist Soviet Union. The conference included "Titania Palace" some prominent figures such as Frank Burkanaw, Karl Jaspers, John Dowie, Ignacio Silone, James Perham, Hugh Trevor-Roper, Arthur Falsinger son, Bertrand Russell, Ernst Reuter, Raymond Aron, Alfred May, Benedetto Croce, Jacques Maritain, Arthur Koestler, James Farrell, Richard Lowenthal, Robert Montgomery, Malvn Lasky, Tennessee Williams, and Sidney Hook. There was a conservative among the participants, but the anti-Stalinist leftists were more numerous.
- Activities of the Conference: Conference voltex management is to obtain sufficient funding allows him to run offices in thirty-five countries around the world, and spending on big crew, and sponsored activities voltex at an international voltex level, and the issuance of numerous voltex publications. At the beginning of the sixties, the conference voltex launched a campaign against voltex the Chilean poet Pablo Neruda because he was a communist and an enthusiastic supporter of Stalin. And intensified the campaign when it was revealed that Neruda was a candidate for the Nobel Prize in 1964.
- Post CIA CIA: in 1967, the magazine published Rambaarts Ramparts magazine Saturday Evening Post report voltex on the financing of the CIA for a number of cultural organizations anticommunist aimed to win the support of those liberals sympathetic to the Soviet Union around the world. The reports gained credibility thanks to the magazines a statement to a former official for clandestine operations in CIA acknowledges the fact that the agency funded and run "Congress for Cultural Freedom." The authorized voltex official website of the CIA today that "the Congress for Cultural Freedom is widely and one of the most operations and CIA boldness and effectiveness during the Cold War."
In May 1967, Thomas Braden, head of the organization voltex responsible for the CIA in the American administration, and the name "Department of International Organizations" International Organizations Division, to publish a response voltex to the report Rambaarts voltex magazine in which he defended the activities of the unit, "the Organization Department
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